Who is Lippo Memmi?

Lippo Memmi (c. 1291 – 1356) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law.

What is the history of Memmi?

The Memmi workshop began with Lippo’s father, Memmo di Filippucci. Its early works, such as the 1317 San Gimignano Maestà in the Palazzo Comunale, are a collaboration of the two. In the 1330s the shop produced the Orvieto Polyptych panels.

What is Memmi’s style of composition?

Memmi’s interest in detail is evident in his innovative compositional devices using simple geometric shapes such as the circular arrangement of the angels in the Assumption of the Virgin. The term “Lippesque’, coined by Joseph Polzer, describes the overall effect of Memmi’s visual devices found in several Madonna and Christ images.

What was the contribution of Giuseppe Memmi to art?

The scribe work in the Arch Angel Michael’s halo and arguably the gold leaf background were also Memmi contributions. Memmi and Martini most likely settled into a familiar style in gilding patterns with the Monaldeschi altarpiece in Orvieto from about 1320 consisting of a “composite punch design of a quatrefoil set about a central rosette”.

Who is Simone Martini?

Simone Martini ( c. 1284 – 1344) was an Italian painter born in Siena . He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time.

Was Simone De Martini a pupil of Giotto?

According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter’s Basilica, Giotto also executing a mosaic there. Martini’s brother-in-law was the artist Lippo Memmi.